Musical Creativity And Expression – Part 2

Seeing that writing part 1 of the Musical Creativity And Expression article series, We have received an entire lot of e-mail from readers about one of the examples I talked about (the idea of the story board). A lot of the viewers wanted me to visit into more detail of how this idea can be applied to songwriting. musically followers

With that in mind, here is a songwriting job that you can do.

For this composition, I strongly suggest to write an a key component piece of music (song with no words or singing). My reason for this is simple, most writers rely too intensely on the lyrics to these songs of the song expressing the thoughts, feelings, emotions, story, and many others. that will be communicated. Undoubtedly there is nothing incorrect with the lyrics to these songs telling the story, but I do believe is actually far more valuable when you can notify the same story with the music alone. When you add the words of the tune (if you add them at all), the ability and impact of the song will be much greater on the show goers. So let’s focus this experiment only on the music and not on the lyrics to these songs. You can always add lyrics later once you are done if you wish to.

Select your theme. Find something that you want to express musically. You can choose nearly anything you want such as: a personal event, sense, thought etc. from your own life, or a story that you noticed about or read about, or else you can create a fictional story, event, and many others. to use. The key is to find out just what it is that you might be expressing before you commence to even think about writing music. Exactly what are the expressive goals? Why have you chosen this subject to express in music?

Record it. Once you have chosen your matter, write it down on paper in your own words in a few paragraphs. You will be returning this written explanation of your topic over and over again when you are writing the music, so keep this close by you if you are working. Explain (in writing) the incidents, feelings, thoughts, the individuals, places or things involved, and so forth. Remember what your significant goals are?

Divide into sections. Divide story/topic into sections. The number of sections will change depending on many factors that are all based on your story. For most tunes, 3-8 sections are typical but more less are possible. The sections of your story/topic will determine the number of musical technology sections of your music, so think about this carefully. Number each section.

The 7 basic elements of music. Make some the 7 basic portions of music. Then think about how precisely each musical factor (rhythm, harmony, melody, texture, form, timbre, dynamics, ) can best be used to express your expressive goals (your story/topic) into music. Really think about each element, don’t just dash through this step. Note down your ideas about each about the same paper that you prepared in step 2.

Climax. Consider where the climatic points in your topic/story are. Which section is the key climatic point in? At specifically what point in that section is the climax located (beginning, middle, end. and so on. ) It may be a good idea that you can compose the climatic point first even if it can the middle or end of the story. In case you know where you are going, it’s going to a great deal easier that you can get there. In many stories, parts before the climax build up to the climax and parts after the orgasm generally move away from it. In other words, what happens before the climax usually creates anxiety and what happens after the climax usually creates resolution of all the accumulated tension. Of course not all stories or music follow this style, but often times it can. Write down your ideas about each on the same paper that you prepared in step 2.

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